The street: a musician's last (only?) venue
REVIEW
Here in Boston, on our subway called The "T," there was an attempt last year by the MBTA (Massachusetts Bay Transit Authority) to pipe music into the stations, which would have ostensibly driven, forced, left no room for the street musicians that occasionally grace our platforms. But as it turns out, there was such an outcry of support for these musicians, the MBTA scrapped the idea . . . and the musicians stayed.
Continuing on the theme of places for music to be heard and for venues to perform in, the greed and pernicious myopia of General Managers and Program Directors of local radio stations nationwide - especially their Jurassic hesitation to step into the new broadcast technologies of the 21st century - have successfully diminished the importance and impact of the radio industry, which for years served to both entertain and educate us with an incredible array of musical styles and tastes that were once available across the dial.
And when you consider the ever-shrinking number of local LIVE music clubs/venues still open in cities across America - no longer being supported/patronized as they have been in decades past - it quickly becomes apparent how few places there really are for talented musicians to go to be seen or heard . . except to the street.
So we wanted to pre-showcase this extraordinary musician, not only because he so brilliantly plays the guitar, not only because of his courage and dedication to overcome a seemingly enormous personal challenge - he can only play the guitar with his feet - but because he also inspired us to shine a small spotlight on the cultural damage we're doing to our nation when music's only place to turn . . . is the street.
But then again, and considering the alternative, thank goodness we still have that.

